“Creativity requires the courage to let go of
certainties.” ― Erich Fromm
This is the quote of the day relating to the daily
meditation I’m doing through the Oprah/Deepak 21-day challenge.
Strangely or not, it’s what I was writing about in my
morning pages before I logged into the meditation. The idea of uncertainty, of
letting go of what’s known. And how very close to that I feel right now.
I found out yesterday I didn’t get the job I was in several
rounds of interviews and mock sessions for during the last two weeks. And all
for the better, I think. In fact, I’d reached out to an old schoolmate I’d seen
on LinkedIn had worked there to ask her thoughts. And when I wrote back that
they didn’t hire me, she wrote: You are better off. That place is a shit hole.
So there’s that!
But, this morning as I reflected on where I am, with the one
avenue I was pursuing more actively than others cut short, I find myself
without an exact destination. Which is where in fact I’ve been, but I’ve been
distracted with the possibility of this employment.
What brought me to considering the question of Who’s Next
was my bringing out an old reader packet of poems from an undergrad course I
took. I’d brought it down a few days ago; I was 22 when I took the class,
finishing up from the lost semester when I’d been otherwise engaged in a padded
The day after I brought the packet down, a friend of mine
mentioned teaching again, putting together a C.V. (a teacher’s resume) and
syllabus. I went online to higheredjobs.com yesterday to poke around and see.
And again, I sort of went all blank about it. I see titles like Professor of
18th and 19th Century Romanticism or of Rhetoric, and I call myself
uninterested and unqualified.
And then after a while of poking around online anyway, my
computer overheated and shut down on me, which was probably for the best!
But, today I opened that packet labeled Twentieth Century
Poetry II, and I read the names and poems of Robert Bly, Gwendolyn Brooks, yes, even the
ubiquitous Plath. I read my margin notes, and was amused to see that my
handwriting looked as it does now.
I was interested in the poems, but I wasn’t sparked. These were the
dreams and longings of a different person. The person who ate these poems up,
who devoured and analyzed and waxed prosaic marginalia.
I remember the classroom I was in when we read Spenser’s
Faerie Queene. I remember being the one student who was really intrigued by his
epic traitorous, political poem hidden in monarch-approved meter. I remember the classroom where the professor
told us stories of the poets’ lives, who’d met who and exchanged letters, the
relationships behind their lyrics.
I remember the room for my make-up semester, on a different
campus, since my cohort had graduated. The computer lab where I wrote short
stories and saved them onto the new smaller, square floppy disks that were
This morning I reread the same works that meant so much to
me then, a woman who felt she had no voice, and poetry was a quiet art that
could conjure hurricanes, that could release those that were teeming in my
But, I don’t feel it in the same way now. I of course want
new generations of students to hear tales of those smoky rooms where creativity
was incubated and smile in camaraderie at Spenser’s thinly veiled subversion.
But, I don’t know. Is it me? Is it me now?
There’s a quote from a Yogi tea bag I have taped over my
kitchen sink, along with all the others I felt necessary to collect. It reads:
Empty yourself and let the Universe fill you.
I haven’t ever really known what that meant, or how to do
it. I haven’t known how to let go of all I know, of all my plans, of labeling
what I know and feel and have done as relevant or useless. I haven’t been able
to answer the call of that tea quote until today.
I do feel emptied. I
feel emptied of direction, of specific ambition, of perspective on myself. But it’s not a negative
I feel like a student in a new class, but one I don’t know
the course title to. I don’t know which of my skills will be useful in this new
class, what of my knowledge will be relevant.
I don’t know if I’ll need a paintbrush or a calculator, what I’ll grow to learn, or who will be my teachers. I don’t know who else I’ll meet in class, and who I’ll
never see again. I don’t know the iteration of myself who will be called upon to
show up here, or who will be created from being here.
I only know that this nameless class is the only one on my course schedule
for the foreseeable future, and that perhaps at the end of it, I may be able to
answer what iteration of Molly is next.