Category: theater

balance · fun · health · joy · love · responsibility · self-care · theater

In Training

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Dear Blogosphere,
Apologies for the sporadic posts these few weeks. First
there was sickness, then my mom in town, and then, of course, the Monday 5 a.m.
shift at my gym.
And in thinking about the structure of the next few weeks, I
don’t know that I can promise you anything more than a few pixels.
This Sunday began the first full week of rehearsals. 4 hours
Sunday, 3 each night this week. And assumedly, each weeknight until opening
night on September 19. It really is like a part-time job!
And so, I’ve come to think of my approach to this time as
though I’m training for a marathon. To the best of my ability, I am going to
aim to be completely conscious of the food I eat, the breaks I force myself to
take from my desk at work, the sleep I manage to slip in between rehearsals and a
day job.
I have this phrase I wrote down a hundred years ago that is
taped to my closet wall and has taken me as long to come to understand and
believe: Treating myself like a precious object will make me strong.
And I believe this is the perfect time to begin to implement
“acting as if” that’s true (because, I somewhere believe it is). The body is a cautious and delicate scale. In these few weeks and months, I’ve gotten to see that my own scale is
particularly sensitive (liver trouble, K.O.’d by a virus, my acupuncturist saying my body was ripe with signs of stress).
So, balance, intentionality. Vigilance. Yes, it’s the
absolute busiest season of my work year – like a retailer between Black Friday
and Christmas. But, as we’ve seen, I can’t show up to work if I’m not healthy,
and I’m not healthy if I’m not intentional. So, I have to be my own trainer,
stopping the clock to take a walk outside. Deciding, No, I won’t have 4 cups of
coffee to power through my day. Yes, guy at the store who watched me put the apple
back and reach for the organic one that’s a dollar more expensive, yes, I do
need to eat this instead.
I’ve set up a “crash-pad” at my friend’s house who lives
between work and the rehearsal theater so that I can go and chill out a few
hours after work without having to either rush home and back or sit at a café
and spend money or be interactive with anyone.
I’m going to begin going back to my gym a few mornings a week,
instead of the once I’ve been doing. I’ve been meditating almost every morning
for 10 – 20 minutes. And, we’ll see where the blog falls on the self-care
scale, considering the few moments of sleep it ticks away.
Finally, I’d like to make sure that I get time in with my
“brain drain” crew, spending an hour with people who normalize my experience
and help my thinking to turn down in decibels.
“Meetings, Movement, and Meditation” has arisen as my
prescription for health, and I am hoping to treat myself as the worthy
patient and doctor of such self-care, which will enable me to show up fully,
mind, body, spirit.
Because… I gotta tell ya, This shit is So.Much.Fun. !

career · clarity · health · progress · self-care · theater

Round and Round She Goes!

Molly Daniels HayesLeave a comment

Waking at 5 am to do work-trade at my workout studio doesn’t make for a lyrical blog, so I figure I’ll just give you a “state of the union” update on a few things I’ve been writing about here recently.

Yesterday, I had my first vocal rehearsal for The Addams Family. It’s sooo low, this range, so I’ll do the best I can! Which, I think will be alright! I also took my first voice lesson last week in over a year, and I really like the woman I met with. She’s in SF, but I think, for now, at least through the play (Opening Sept 19), I’m not in a position to shop around at the moment.

I also wonder if I should begin auditioning again, too. As I once heard, “You’re only as good as your next play”! Which is a great discouraging mantra!! But, perhaps instead, I’ll look at audition lessons or acting lessons, too. It’s not that I have the finances for that at the moment, since

I’ve begun acupuncture again, following all the medical upswing of the last few months with my liver, et al. But things have calmed down. Medically and emotionally. I had an ultrasound of my liver about a week or more ago. They found that, indeed, there were fatty or scarred areas on my liver which were likely causing the elevated liver enzymes that incited the doctors to panic in the first place. They can’t tell from the ultrasound if it’s fat or scarring, but in either case, the dr. said that we don’t have to do anything except watch it. That there were just small spots on the image. Nothing seriously damaged at all. Or even moderately damaged. Thank god. The irony of a sober person developing cirrhosis was just too galling.

In the meantime, I’ve begun again with the acupuncturist I used to see (who’s also in SF, so I try to stack my time there), and I think she’s been influential in helping my system calm down and regulate. Granted, I see and have been seeing my chiropractor/naturopath, (who, using muscle testing, was able to diagnose liver scarring!) but I wanted some additional support, since things were “showing up” in my ovaries, and I know that the chemo may have knocked those ladies out of alignment. The acupuncturist, I began seeing for fertility/womanly issues about 7 or 8 years ago. She’s known me for a good long while, though I haven’t seen her in a few years. It’s nice to have that long-term relationship, and she remembers things about my life and my progression that I’m surprised she does!

Next in Team Molly accrual, I met with a woman yesterday about a “fulcrum”related topic. I want to find a way to work less and earn more, so that I can actually not live paycheck-to-paycheck and dawn-to-dusk for the rest of my life. I believe it’s possible, and have been reaching out to people to ask for their suggestions on this.

She, this friend of a friend, suggested something that I’ve had suggested twice before: Teach writing to kids.

…

Bu- But, B, B…. but I don’t know how. But it’ll be hard.

Mainly, I don’t know how, and that means that I throw up all kinds of barriers to mask that vulnerability, like “it’s hard,” it’s competitive, I don’t have experience, etc etc etc.

These are not very true. That I don’t know how to go about it is. But that’s why I reach out for HELP! The same woman I met with yesterday said that she just paid… wait for it… $200 for a 4-hour class for her child.

I’m sorry, what?

In a class of 6.

She said that, in this area, you can charge at least $30 per kid per hour, and have a small class. She said that the teachers also offered help with personal organization for the kids, helping them clean out their backpack, organize their homework schedule, organize their life, because, if you haven’t figured this out — not all parents know how to model this for their kids.

Point is. This is the 3rd time in as many years that the suggestion has been made to me about doing supplemental education for kids. And I would love to do that. I have the passion, and the good intention (despite my practicality about the numbers), and the acumen with kids. I just do. And I don’t want to be a “classroom teacher;” I just have watched and am continuing to watch too many of my friends work really hard for a diminished ROI.

Fulcrum, man.

Good for me for reaching out and being open to ideas. Now, the work will be to create a curriculum, a program. Eek.

And that’s where the help will need to come in. But I know plenty of people who can, and the things that I don’t know, I have the wherewithal to find help for that. She sent me the links to several programs in this area that offer similar services/classes that I could model my work after. It’s exciting, nerve-inducing… and I hope I do it!!

Lastly, for fun, I’ll tell you that my “Great Caffeine Reduction Experiment” is going well! I’ve moved from 4-5 cups of coffee a day to 1-2! Granted, I went to bed at 8, then 9 pm for about 2 weeks, and am still tired by 10pm! But I think a) that’s more normal, and b) might pass. In any case, I think it also helps my body, and my energy, which I’ll need. Not to mention my voice, since coffee is dehydrating.

So, things continue to move. … And the Tarot card I pulled recently is the one about intense rest and reserving of energies. So, I cancelled one of my coffee dates this weekend (with a girlfriend, don’t get excited!) to fulfill that need. But I think there’s more rest to come.

As someone once said, “On most days, I meditate 30 minutes. On days that I’m very busy, I meditate an hour.” (and I say this soooo metaphorically at the moment!!)

acting · clarity · community · dreams · friends · joy · life · theater · truth · trying

My Brain Reads Like a Cafe Gratitude Menu…

Molly Daniels HayesLeave a comment

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I am pure, undiluted joy.
Honestly, you could culture my blood for Potions class.
There was an impromptu dance party.
I left an incoherent bubbling message on my mom’s voicemail,
and called my brother, too. Who told me I’m awesome. And who I told back that
he is, too.
For those who don’t follow my Facebook feed, I found out this morning that I got the
role of Morticia in “Addams Family: The
Musical.”
The one I don’t even know how I found the audition call for.
The one I auditioned for this weekend to my own mediocre reviews. The one I was
called back for, to my own mediocre reviews.
I’m sensing a trend here: What I think, and what reality
tells me, may be two very different things.
And, here, for the better.
The astounding thing to me is this is the second lead role
I’ve been offered in as many months. From, “you know your height gets in your
way” to “please join us” … Wow.
There’s a quote that called me to sit for a moment in
silence on my bed, breathing heavy from the fist pumping, Elaine-thumbs-out
dance party:
Don’t forget to pause a minute and thank G-d for
everything.
Thank you. Thank you, Universe, for conspiring for me. Thank
you, Molly, for showing up even though you’re scared and doubtful. Thank you,
FRIENDS, for receiving those phone calls and texts that ask you to send me love
and support. Thank you, friends, for sending love and “likes” and hope.
I need you way more than you know.
And you always show up, which is marvelous – like, something
to marvel at. Really.
The play will run mid-September to mid-October. This means
that I will spend my October 7th birthday in performance.
I spent my 30th birthday with fondue and friends. I spent my
31st in a hospital bed, saying, “Next year: Brunch, huh?”
I celebrated 32, indeed, at brunch with a dear friend and her two
kids whose laughter is part of my salvation.
And, god willing, I will spend 33 in pursuit of a dream I
have let languish in a faded costume closet. The clothing of another woman in
another life.
Life moves and shakes, it do.
And part of my work is to accept that these costumes, these roles, these friends, this love, this life … are for me, too.
Let’s throw open the doors, pull out these moth-eaten
dreams, and hold them up to reality. They may be more solid than I’ve wanted to
know.
Thank. You. 

auditioning · fun · laughter · learning · theater · trying

Jazz Hands.

Molly Daniels HayesLeave a comment

Yesterday was quite the hilarity.

I was called back for the dance audition for Addams Family the Musical, and it was just too funny and fun! There was a choreographer, who taught about 25 of us in a small side room off the theater, that had a wall of mirrors and a ballet bar.

There were people who were obviously dancers, and many who obviously weren’t. But, we’re shown this whole dance routine for about 40 minutes, going over part by part, to make up about only 2 minutes of dancing! Then we were called in groups of 5 to do it on the actual stage… Eek!

It was awesome and hilarious and super fun. I did alright. Everyone had to go a second time, and about half of us forgot it by then. Witness! Human’s amazing short-term memory!

I was called to stay afterward to read for one of the leads, and although I would certainly love to take that role, I don’t know if I have enough experience. I do think that I’ll take a role in the chorus if I get it. I mean, it was a lot of fun.

And the whole concept is just ridiculous enough to be my kinda ridiculous. And FUN.

A friend of mine always used to tell me: Don’t forget the “f” word: Fun.

That is the point of all this for me. Yes, theater is meant to be moving and evocative and a distillation of real life for two hours in a way that makes your hours outside of it gain meaning, at least for the few days after you leave the theater.

But, for me, knowing what I do about this very short mortal coil, I’d really love to have fun while I’m at it.

(Monday’s truncated blog due to workout studio shift.)

acting · action · avoidance · community · fear · perseverance · self-compassion · self-derision · theater

How to Eat an Elephant.

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Thank you, to whoever read my blog Perseverance yesterday, which encouraged me to read it, which I’m
sure I haven’t done since I wrote it in November 2012. Particularly appropriate
today is the following:
With each creative endeavor, as you
know by now, I pull back at some point. Painting, acting, writing, singing. I
will spend a few months active in pursuance of these interests, and then wane.
I will talk myself back from it, in any number of ways, and move back into my
mediocrity.
Yesterday, I showed up for two theater auditions. At the
first, I sang a bit of a song (“Whatever Lola Wants,” from Damn Yankees) and a bit of a monologue (Sherry Johnson, from The
Laramie Project).
It was the first time I’ve auditioned for a musical since
high school; I only just heard the whole song on Monday; and I’d never
practiced it with an accompanist before. Let’s just say, I could have done
better!
(However, I’m “lucky” enough to have already had several
auditions where I really bombed, where I
said, “I’m so sorry can I start again…” three times! So I know what really bombing is! And I survived.)
At the second audition yesterday, for… The Addams Family,
A Musical (HAHAH!!!), I was to prepare only
a song, and I sang the same one, this time a little better. But.
There’s a moment in the song, where it hits a high note.
It’s one that this whole week I’ve been nervous about hitting, not because I
can’t, but because I can’t when I’m holding back. It’s not an unattainable
note at all: it’s one I can’t reach when I’m nervous about it, scared I can’t hit it,
and am psyching myself out, even as I come to that line.
Then I can’t hit that
note. And that’s precisely what happened at yesterday’s audition.
And the paragraph from my blog Perseverance is achingly on point. “I talk myself back from it.”
That’s exactly what happened.
Now, granted, I’m pretty proud of how I handled everything
yesterday, too.
After my first audition, I immediately called a member of
Team Molly, and laughed really hard
about how I bombed it. The silence of the auditors, the awkwardness, the sad
case of the whole thing – I laughed.
Because, really, what else can you do? It’s over, it’s done. I can get all
butthurt and self-flagellating, or I can ask myself what I learned from the
experience.
Which is what I did. I asked it aloud, so as not to give in to
the brain gremlins on my drive home: What did I learn?
Well, I learned that I need to practice my songs with accompaniment. I learned that I need to know my songs much better and stronger than one week. And I learned that I really do need to
take classes or lessons, if I’m serious about doing this. Which I am.
As with the “real” headshots I finally got done early this year, if
I’m really serious about making a go of this, then I have to literally put my
money (and energy) where my mouth is. I have to invest in myself.
It’s all well and good to show up partly prepared to these
things, and see what kind of results I get. Sure. That’s totally one way to do
this. But. That’s not at all what I want. I don’t want to feel I gave it a
mediocre chance.
No matter what the results, I really do want to try my best, and this is not at all my best.
This is lip service.
Nonetheless. As the first line of my morning pages said this
morning, “I did really well because I showed up anyway!!”
I also supported myself throughout the day, instead of falling into despair or
hopelessness, which would be really easy. And which would look like coming home
to a pint of ice cream and 8 hours of Netflix.
Instead, I drove back to the Bay, went grocery shopping, and went to meet
up with friends for an hour to hear their brain dump, and share a little of
mine.
And then I went to the second audition.
After which, I created plans for myself so that I didn’t
come home and isolate. I made plans with a friend to get out of both our comfort
zones and go to this poetry open mic thing that happens monthly nearby. Neither
of us were going to read, but just to go to check it out. Try something new.
And not be alone in our heads.
It totally worked. I set up for myself stop-gaps for my racing
thoughts, for my “not good enough” thoughts. I got into the day and out of
myself. And what all of this does is allows me to show up again next time.
Because who wants to show up again for something that you tell yourself you
sucked at?
Instead, I showed up again, and I will endeavor to support
myself with a steadfast vision by taking classes and making sure that I don’t
have to feel so psyched out and unprepared next time.
And, just so’s you know. I got called back to the Addam’s
Family audition, anyway. 😉 Wish me luck!… No, forget luck. Wish me love. 

connection · family · joy · theater

Hum a few bars?

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There’s a famous story in our nuclear family history:
My brother was maybe five years old. He swaggered into the
room. Feet planted, arms wide, he opened his lips and belted, “GOTTA
DANCE!… Gotta Dance, Gotta Dance, Got ta Daaance.”
This, friends, is a move from a song in Singin’ in the
Rain. My family trades in musicals.
Broadway and movie musicals. On frequent rotation in our VCR were Singin’
in the Rain, Meet me in St. Louis, Calamity Jane, On The Town. Eventually,
there’d be Chorus Line and Cabaret with their more “adult” themes; even Flying Down to Rio and Top Hat, from in the Fred Astaire/Ginger Rogers oeuvre. My mom, brother and I would trade lines like
currency, like code, and for us, they were.
All four of us together, with my dad, weren’t a family of
deep conversation. Instead, we’d throw these bones of reference to one another
as a note of connection and a wink. One commonly used phrase in our house was,
“What’s that from, again?” We were almost always speaking in movie lines, not just
musicals. Watching movies was what we were able to do together, to spend time
the 4 of us, without having to talk, but able to be in the same room at the
same task.
Unknown is what might have happened if we’d allowed my dad to
join in on the impromptu a cappela fun. We always cut him off, because he
couldn’t sing a bar; the trees weeped. But he could whistle, and play the harmonica,
and there’s even an old banjo lying around that apparently was his in his
younger days.
But, for the most part, it was me, mom and Ben. Trading
lines, lobbing tunes to one another, volleying them back, and joining in. So
much of my growing up, I see us, in and around the kitchen bursting into a
melody. Me, on the melody, actually, and Ben on the harmony. I never had quite
the ear for harmony, and he did; still does.
For my bat mitzvah party when I was 13, instead of the DJ
party most of my friends requested, I wanted to see a musical with my friends.
We lived a short drive from Manhattan, and many of my friends had never seen a
Broadway show.
We went to Phantom of the Opera. In a short party bus, about a dozen of us rode into
New York City with Nightmare Before Christmas playing on the thick, boxy t.v. screens, since it
was mid-October, right after my 13th birthday.
My mom and I’d created gift packages for my friends, little
heart shaped wicker boxes with a fake rose with a plastic water droplet on it;
a cassette tape of the soundtrack; and a mug with the Phantom mask on it that turned from black to white when you
filled the mug with something warm.
I was extraordinarily lucky to have been to some shows
already, my aunt, a stalwart New Yorker taking me to see Guys & Dolls and later, How to Succeed in Business
without Really Trying starring the
inimitable Matthew Broderick (if you think him singing Twist & Shout in
Ferris Beuler was something… well, I assure you, this man has charisma. And talent.)
But the Phantom
theater was magnificent. There’s an enormous chandelier that crashes into the
stage during the middle of the play, and we were sitting right behind it, this
wide, gold, frail thing about to murder the ingénue. For a group of giddy,
hopped up tween girls, this was a pretty cool experience. Well, for me it was,
anyway 😉
Musicals are in my blood. I was raised on their fervor,
their simplicity, their saccharine lyrics. And I love them. I know they
can be cheesy and I know it “doesn’t make sense” that people bust into song all
the time. But, you see,
In my house, we did. 

authenticity · connection · disconnection · poetry · theater

"Person-To-Person"

Molly Daniels HayesLeave a comment

Of course it is a pity that so much of all creative work is so closely related to the personality of the one who does it.

It is sad and embarrassing and unattractive that those emotions that stir him deeply enough to demand expression, and to charge their expression with some measure of light and power, are nearly all rooted, however changed in their surface, in the particular and sometimes peculiar concerns of the artist himself, that special world, the passions and images of it that each of us weaves about him from birth to death, a web of monstrous complexity, spun forth at a speed that is incalculable to a length beyond measure, from the spider mouth of his own singular perceptions.

It is a lonely idea, a lonely condition, so terrifying to think of that we usually don’t. And so we talk to each other, write and wire each other, call each other short and long distance across land and sea, clasp hands with each other at meeting and at parting, fight each other and even destroy each other because of this always somewhat thwarted effort to break through walls to each other. As a character in a play once said, “We’re all of us sentenced to solitary confinement inside our own skins.”

Personal lyricism is the outcry of prisoner to prisoner from the cell in solitary where each is confined for the duration of his life.

[…]

Of course I know that I have sometimes presumed too much upon corresponding sympathies and interest in those to whom I talk boldly, and this has led to rejections that were painful and costly enough to inspire more prudence. But when I weigh one thing against another, an easy liking against a hard respect, the balance always tips the same way, and whatever risk of being turned a cold shoulder, I still don’t want to talk to people only about the surface aspects of their lives, the sort of things that acquaintances laugh and chatter about on ordinary social occasions.

I feel that they get plenty of that, and heaven knows so do I, before and after the little interval of time in which I have their attention and say what I have to say to them. The discretion of social conversation, even among friends, is exceeded only by the discretion of “the deep six,” that grave wherein nothing is mentioned at all. Emily Dickinson, that lyrical spinster of Amherst, Massachusetts, who wore a strict and savage heart on a taffeta sleeve, commented wryly on that kind of posthumous discourse among friends in these lines:

       I died for beauty, but was scarce
       Adjusted in the tomb,
       When one who died for truth was lain
       In an adjoining room. 


       He questioned softly why I failed?
       “For beauty,” I replied. 
       “And I for truth,—the two are one;
       We brethren are,” he said. 


       And so, as kinsmen met at night,
       We talked between the rooms,
       Until the moss had reached our lips,
       And covered up our names.

Meanwhile!—I want to go on talking to you as freely and intimately about what we live and die for as if I knew you better than anyone else whom you know.

TENNESSEE WILLIAMS, preface to Cat on a Hot Tin Roof, 1955.

band · change · family · fear · hope · job · scarcity · self-care · theater

Stay to Play.

Molly Daniels HayesLeave a comment

I’m at my new Monday morning desk-trade shift at my gym (unlimited classes in exchange for checking people in…. at 5:30am), so I don’t know how extemporaneous I feel while techno music blares in the background, and my pulse finds center again… so perhaps this’ll just be an “update-y” kinda blog:

The play I’ve been cast in (Queen of the Amazons…!) begins rehearsals at the end of July, to perform over weekends around Labor Day. I haven’t actually opened my script since our first table reading… but I continue to take it places with me, in a good intention to read it.

In the meantime, I went to play bass yesterday with a friend and his friend — it was super fun. My poor un-practiced fingertips are a little swollen, but … man, just to be back in the loud, the beat, the fun. It was so much fun. (Did I mention it was fun?!) We’re looking at playing a date in October, and are meeting up again next Sunday. I feel… like myself, having this in my life again; being a bassist again.

My dad didn’t actually receive the Father’s Day card I sent, since he’s moved back up to New Jersey from Florida for the summer. I still haven’t returned his return voicemail, but now that I got the card back in the mail, “unable to forward,” I suppose I should find out what their “Summer” address is. And also endeavor to keep my bile and perhaps envy to a minimum.

In an exasperated flurry, last week, I sent my photos to some modeling agencies in SF, and heard back from one they’d like to see me this week. … Then I looked them up on Yelp — and if there are worse reviews on that website, I haven’t seen them! So I’m going to gauge whether that’ll be worth my time to meet with them, just for the experience, if not for the professional service of them.

I’m also in conversation with two professional leads for actual work, one I’m meeting this week, another I hope to. Both are in the “helping/teaching” professions. And I haven’t quit my job yet — YAY!!

That’s honestly been the biggest success of this whole time, for me. I am unhappy, but I’m not cut-n-running. Which is my M.O.  — In jobs and in relationships.

Granted, in both, I tend to get into them without much thought as to whether I want to be in them, get through the “honeymoon phase,” look around and say, Uh… is this really where I want to be? And that is when the cutting and running happens.

It’s not that leaving is not the appropriate move, but in jobs at least, doing so without a safety net is a recipe for desperation, low-self esteem, and the tendency to get into the same situation.

So, this “sitting on my hands” that I’ve been able to do (with the *enormous* help of friends) has been a really new thing. And, like a cigarette craving, it seems to be waning.

The more I stay in this place of active looking and active staying, … I don’t feel my throat constricting every single minute as I have in these past few weeks. That feeling of crawling out of my skin, of needing to do SOMEthing ANYthing to make this feeling stop.

The “some”thing I’m doing right now is not running. That’s been my only move before. A one-trick pony: Uncomfortable? Run!

Instead, I’ve been asking for major help from friends in helping me not to do that. And during that time, I’ve discovered … been forced to discover … other modes of action. For example, actively seeking work, finally sending out my photos to agencies, and just showing up for the rest of my life anyway.

Even though I’m unhappy, I don’t have to be unhappy.

There’s this picture I drew once in response to an exercise in a self-help book last year. It’s called “Creating a Life Worth Living” (and now sits in my Kindle, unread past Chapter 2!). But it asked us to draw a picture of how we see our life being a year from then.

In it, I drew several things, including the back of a curly-haired head facing a computer, a phone looming large near it. The only thing you see is the computer. Me staring at it.

It’s the most depressing image!

So, what would I like to change about the image, the prompt asked me? Well, I’d like that experience to fade. To fade in importance. To not be so activated and aggrieved by it.

The longer that I “sit on my [active] hands,” the less running seems like the right option for me. I like having a job while I look for other work, while I “figure out” my life. I like not feeling panicked about how I’m going to pay my rent.

But mostly what happens when I quit a job is that I cut back all the things that are fun in my life.

I can’t be a volunteer usher, because I don’t have a job. I can’t come play bass with you, because I need to be sending out my resume. I can’t laugh, because I’m in scarcity.

Staying in a place that is not ideal is not ideal, of course, but I feel like I’m developing alternative ways of dealing with that, ways that include having fun, even as it’s hard.

ambition · band · choice · commitment · community · fulfillment · fun · gratitude · happiness · joy · music · opportunity · synchronicity · theater

Band Aid.

Molly Daniels HayesLeave a comment

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You know, it was right around a year ago last June that I
stood up with a group of 4 other people and played bass with a band in front of
actual people in an actual venue. – I’d started playing in May.
This month, I’m being invited to do so again.
I’ve picked up my bass literally once in the last 6 months,
since our final show on New Year’s Eve, or the final show I played with them
before I left the band to pursue theater.
This switch, this focus of my energies in one creative
direction (one that I’ve always wanted to pursue, but never let myself try or
admit or commit to) has turned out pretty darn well in these last few months: I
got real headshots, auditioned about a dozen times, performed in one play, one
staged reading, and am preparing as the lead in a play at the end of the
summer.
These are all great things.
But I miss the band.
I miss the immediate gratification of playing with people. I
miss the noise, the movement, the sound, the collaboration. I miss the
laughter.
Theater is performance; being a musician is a performance;
but there’s a difference. The former is literally more staged. It’s not like I
have acres of experience in either, and maybe I simply fell in with a great
group of people for my first band – which I did. But whatever the formula is
for happiness, I felt that when I played.
A friend once asked me what it was like to play with the
band. What it felt like. And I took her question with me to band practice that
week, and noticed how I felt as we fiddled and fixed and went over and over and
moved into a rhythm, and went totally off the reservation with funny lyrics and
made-up progressions: I was smiling. I was bouncing on the balls of my bare
feet – the only way I could practice – and I noticed that I felt content, engaged,
in the moment, fun, funny, “on.” That’s what “happy” felt like.
Next Sunday, I’ll get to practice with a new group of folks,
a friend and his friend, to prepare for a potential show in July, before my
theater rehearsal gets going. I’m feeling nervous and jittery – wanting to get
the music charts NOW so I can practice, be perfect, be better – because if you haven’t followed along,
I’ve only been playing a year, and not that consistently at that!
I want to build my calluses back up. I want to remember
where C is on the fret board. I want to bounce on the carpet in my bare feet.
I love this theater stuff, … but I love the band better.
(P.S. I’m just reminded to reflect that it was only a little
while ago that I wrote here that I wanted to “band” again … and here it is. Word.)

authenticity · community · growth · hope · singing · theater · vulnerability

LiveStrong.

Molly Daniels HayesLeave a comment

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Yesterday, I was given the cosmic and delightful (sarcasm)
opportunity to put that day’s blog message into action: I was asked if I was
coming out to spend time with folks. … But I really had to go home and watch Netflix, you know. Not that
I have anything I’m particularly watching at the moment, not that you can put
that on my tombstone (“Excellent t.v. watcher, Achiever of many
episodes”). But the alternative was to spend an hour with people. Blech.
But, health won out. (Damned health.) I went, I smiled, I listened, I shared, I had conversations with people. Netflix won’t really converse with me. It’s selfish
that way.
I got the chance to hear what was going on with a
friend and offer some suggestions, and she got to hear me share what’s going
on with me and offered me some help, too.
Again, Netflix is really loathe to help me out. The bastard.
I also got to notice that I’ve gained a few readers in the
past week who’ve gotten to read things about me that some of my closest friends
don’t know about, and that … well, that’s okay. It’s what this, the blog, is
here for. Not to “connect” with people in a complete way, but to offer
something. To offer a catharsis, a container, a mirror into their own
experience. To hear someone say – or read someone write – about what have been issues
or concerns or triumphs in your own life is to get to feel you’re/we’re
not alone. Our experience as humans is not isolated; we’re not as different as
we think we are when trapped alone in our heads.
I’m grateful for that, for this opportunity. And I know it can be intense. For anyone who’s joined us
this week, it’s not always so dark. But, it is likely always as honest. Don’t
worry, I don’t tell you everything. You don’t in fact get the all of me by
reading me, and we both know that. But it’s a good thread between us. And I get
to feel cathartized, too. Not that this is therapy or anything, but that I’m
putting my voice out there in a way that feels relatively safe, but also authentic.
On voice, I emailed an old voice teacher yesterday to ask if
she still gives private lessons. I was in her voice class when I was at Mills, and
earlier in the week, I got the message from Theater Bay Area that applications
for the General Auditions for the South Bay are open. And, you have to note on the application if
you think you might sing. You don’t have
to sing if you check that box, but you have to indicate if you might so they can group you with the other
singers in that day.
I applied to the Generals last year, and didn’t get in. But
I have real headshots this time, and two more credits, and possibly a third
that I can add before I send off my resume. I certainly have enough gumption and
the substance to try this time, especially if I had even less to my name last
year!
I was talking yesterday with a friend about singing. About
how I know the voice is there, but I hide it all the time. Even when I was in the band, I hid it. I didn’t
sing to the best and fullest of my ability, and I also don’t even know what the
limits of my ability are. I want to sing. I’ve always said it. Or thought it,
so most of you didn’t know anyway.
It’s secret. Private. It’s tender, is what it is. It’s the
most tender dream I have, honestly. And I think that’s what makes it the most
protected and least acknowledged one. For me, singing has no place to hide, and
it’s an outpouring of your soul – or it can be. As I know well, it can not be that very easily, and no one would know the
difference but me. They’ll just think that’s what I’ve got.
It’s like when I work at 80% most of the time at my job. They don’t know. They just think that’s what I have to
offer, but the reality is that I hold back, in that case because I’m resentful,
entitled and begrudging. But I digress!
Or I don’t. It’s the same side of the coin of not participating
in life fully, of not offering myself fully. They’re different angles toward
that, but they’re both about self-protection and -preservation.
Tender shoots of hope always need a little more room and
space and care. For me, they’ve needed to be hidden so as not to be trampled by
the onslaught of life. But by keeping this thing small, myself small, by
harboring it and mentally reinforcing it as a tender and sensitive and fragile
thing, it will always remain that way.
A redwood starts out the same way, you know. As tender as a
sprig. But if you take the cage off of the plant, allow it air and sunshine and
nourishment. Soon it won’t be a small and tender, fragile thing anymore. Soon
it will be able to weather the strokes of life. By letting what I’ve carried as
a secret and a calling out of its confinement … I can allow it to become what
it’s always needed to be: Strong.