community · dating · fun · laughter · theater

Meet Cute

Normal
0
0
1
247
1411
11
2
1732
11.1287

0

0
0

It was last Saturday at Live Oak Theater. Auditioning for a
staged reading set in Texas. Trying to remember how Texans sound, trying to
channel my memories of True Detective and Saving Grace to get close. About 10
of us are milling around the lobby, there’s only one young cute guy I can
see across the millers, tall enough to see me back.
He walks over and makes introductory chit-chat. I
tell him he looks familiar, because he does. I ask if maybe I’d seen him at
other auditions. He says he doesn’t think so. That he’s
trying to get something in before he moves to LA next month. I inwardly resign
this one, and try a cheerful, Well that’s
a big move! The producer calls my name.
I don’t see him as I’m walking out of the audition. And that
is that.
Until last night. While at my friend’s tattoo shop opening,
I look across a very different enclave of millers, and see him. He smiles, I
wave. I go back to my conversation, but the nag to excuse myself and not miss
the opportunity prevails. I walk over toward him and his friend, a girl.
He replies, they’d heard the music as they were walking by,
and decided to check it out. No, they don’t know any of these folks at all.
Total coincidence. We laugh and light chat, and I walk back over to my
conversation.
Some bit later, he walks over to me, says they’re going to
take off. Asks if I’m ever in LA. No, not really. When does he move? Three weeks. But he’ll be up to visit sometimes. He offers a, Maybe we can get coffee
or meet up or some other I want to see you again euphemism. I offer my phone
number, he calls it. Exchange complete.
Exit stage right, man with the ocher skin and topaz eyes. 

acting · community · confidence · fear · learning · smallness · theater · trying

Be a Royal

Normal
0
0
1
460
2625
21
5
3223
11.1287

0

0
0

Yesterday, I auditioned with the weird, avant garde theater
company I saw perform briefly on Saturday. Last week, after telling me I didn’t in fact get a ‘Pride and Prejudice’ role as I’d thought, the producer of the company I’ve
been auditioning with these past few weeks continued, “You must know your
height gets in your way.….
“But, we’re doing this ‘Queen of the Amazons’ play, and I’d
like to introduce you to the director.”
So, I met the director last Saturday. At the weird hippie
commune cult Renaissance patchwork crystal-wearing children-of-the-corn-toting ensemble performance.
I’m hippie, people, but I’m not that hippie. Really.
Nonetheless, I spoke with the director for a little while,
he invited me to stay for the performance, which I could only for a few
minutes, and then the producer called on Wednesday to say the director would like
to audition me. And yesterday he did.
He asked at our initial meeting if I really played bass, as is
listed on my resume, and I said yes. So he asked me to bring it. And I did,
along with my guitar, since I really am only a novice at bass, and can’t really
improvise how some might.
We met. He showed me binders and binders of photos from his
previous performances. Despite being achingly weird, some of them, they were
interesting. Achingly weird. He said American theater bores him – he’s Italian.
And then I played two songs I’d written on the guitar, and
sang. And it was strange, just us two, but so nice to be back behind an
instrument again. My throat is sore from it, from being out of practice – just
another muscle, you can’t just decide to
run a marathon without training.
And then he had me read some of the scene. The main role,
the Queen of the Amazons.
It was challenging. I’m not that experienced, you know, and
it was great to have his feedback on what I was doing, like a private acting
lesson. “Be more open, more proud, you’re a queen.” Smile, melt us with your smile, make us love you even when you’re
angry. Speak from down here, not up here. Crouch, get physical, you’re an
AMAZON.
Ha.
It was weird, and fun, and hard, and intimate, and
vulnerable. And it’s still unclear to me if I’m “in,” and because of my “too-soon” (my brain can’t find the word I mean – need more coffee) — PREMATURE!! — that’s it — premature declaration the other week about landing a role, I’m
cautious to do that here. But. It seems very positive. And even if not, I got
some great notes.
It’s clear to me that I have some education to continue
around acting. That it would be worth it for me to look up classes or lessons
again. If I do get this role, it’s
intense, starring, physical, musical, and (word for pushing & challenging I
can’t think of). It may be more than I can chew, but I’ll face that if I get
the role.
The piece that stands out to me about the audition yesterday
was the director inviting me to be more queenly, assertive, confident. To allow what he saw as I played my instruments and sang. To let that person out. To not
be a queen through me and my mishegas (not his word!), but to be a queen as she would be.
I drove from the audition to a very long, but good meeting
at work, and on the ride asked myself aloud, “What does it feel like to be a queen?”
Role or no role, it’s my job to find out. 

action · debt · deprivation · health · perseverance · recovery · self-care · theater

Work It.

Normal
0
0
1
557
3177
26
6
3901
11.1287

0

0
0

I’m up at what I would
call atrociously early, if I hadn’t just signed up to be the desk person at my
gym at 5:30 am on Mondays starting June.
That will be hellaciously early. This is only moderate.
I do a work-trade at my workout studio so I can get free
unlimited classes. Last time I was on the trade staff, I barely took advantage
of it; since I could go whenever I wanted for free, there didn’t feel like any
urgency. Now. … Well, I started back on staff just before my Boston trip, so I felt
a bit urgent in “lifting my seat”! And in hoping not to wheeze like a rhino during
any strenuous activity!
Now that the trip is well over, and schedules are back on
track, I’m trying to get back a few times a week again. It’s good for me. Mentally, mostly. Though, yes, when I go
regularly, I see and feel changes that I like. It’s
nice to feel strong, capable. It’s nice to push myself
because sometimes the class is peopled with 60 year olds (along with the 20, 30
and 40 somethings who are straight out of a Marina postcard) – and if they, a
sexagenarian, if you will, can do it, can hang for an hour, then so can I.
Moderately!
I also asked a friend to meet up and do our writing together
yesterday evening, since we’re both in the study group that’s doing all this together. It
was good to see her, and we got a lot accomplished. I can already see that this
work is a lot deeper and more meaningful than the last time I did this, so I
can hope for change because of it.
It has already shown, in just the 15 timered-minute increments,
that there are some messed up ideas
around self-worth, what I can expect in this world, and what I think I deserve.
So… it’ll be nice to get them out of my reflexes and onto the page.
Also, I did show up
to an audition for a staged reading this past weekend, and in fact, actually got the
part. Like, in writing. In an email saying, “I’d like to offer you the role
of…” and then the follow-up email entitled, “Welcome to the cast.”
So, I’m now Various Roles! Ha! Yay for me. Goes on my resume.
Speaking of, I did a little more work last night – or action,
rather, and sent something out. I still have loads to wade through following my
info interview with my former boss last week, which was awesome, but I can try to take a small action every day.
In fact, I took that action last night after all that writing during which my
fears and beliefs tell me that no matter what I do or accrue or amass, it’ll be
taken from me because I can’t handle it properly, because I don’t deserve it.
SO, I told that thought and belief to screw itself and got
online to follow-up on something I’d seen earlier last week.
I also replied to the Volunteer Usher group I belong to who’d put
out feelers to see who’d be interested in ushering the Sir Paul show at Candlestick in
August. UH. ME. We won’t find out if we’re “chosen” until August, but I’m throwing my hat in the ring.
I continue to throw my hat in the ring. It’s kinda one of
the things about me. I can have all these creeping, sodden beliefs and habits
and reflexes that undermine what I do and want to do in this life, and I seem to continue to do this stuff anyway. I don’t
know what or where that came from, that same impulse that told cancer to fuck
itself, that knows this work is worth it, that
isn’t satisfied accepting less than I deserve because of
reasons I learned long ago about only deserving a second rate life, job,
relationship, since it’ll be taken from me anyway or I’ll screw it up anyway.
I seem to have some bloody impulse that impels me to keep
trying. I squawk a lot about dilly-dallying at the cross-roads of my life, and
that’s true in many regards, and makes sense if I believe the above is true. But
despite my procrastination, my self-sabotage, and my self-judgment, I’m awake
at 5:30 this morning to do something that’s good for me. And my ass. 

abundance · acting · authenticity · grace · gratitude · happiness · joy · life · performance · spirituality · theater

Being There

Normal
0
0
1
640
3652
30
7
4484
11.1287

0

0
0

See, there’s two things I’d forgotten in all the sturm&drang of rehearsals & work & sick & crossing bridges
& lack of down time: I’m actually good at this acting thing. And I enjoy it. 
In the maelstrom of preparation, I forgot why I was doing this.
As I sat in our reserved cast seats in the front row of the
audience, watching the other actors before my scene perform, I got a
few minutes to gather myself, and reflect. Something the director said during
the “let’s get PUMPED” speech before we got into costume helped to remind me:
She said, This is for you. This isn’t
for your friends, your parents, your partners: This is for you.
This is for me, I
repeated to myself. I remembered that this isn’t for a resume, for a good story
to tell when I’m older; this isn’t for accolades or for money. I am doing this
acting thing,
because I enjoy it.
Because it’s FUN. Because, once I do get through rush hour traffic from Berkeley, once I do find parking in the Mission behind some dude drinking Steel Reserve and
selling electronics out of his car, once I do get upstairs through the weird
haunted building, I come to a black box theater.
In that theater, I’m there to have fun, to enjoy myself, and
to share myself. I’m there to engage in something I thoroughly enjoy, just
for the sake of it
. How fucking novel.
It was and is nice to have been sought out during the
wine&cheese reception after the show by a cute little gay boy and his girl
friend, to have them sidle up during a conversation with a beamish grin, and
tell me how great my performance was. That they got chills. To ask if I did
that thing with my hands on purpose, and wow, you did? Wow. That was so great.
It’s gratifying to know that something that I actually enjoy
doing is enjoyed and appreciated by others—that’s true, too. (We are only so spiritual!)
But then, isn’t that the point of theater, too—to affect
another person. To affect an audience, to help them experience something? Sure, Mol, sure. Yes, you can enjoy the
accolades, too. As long as they’re not what’s driving you.
In the chaos of rushing to work, to rehearsal, to home, to do it all over the next day, I began to feel weary. I began to feel like
maybe I’m not cut out for this—that
maybe this hustle is a younger person’s game. Maybe it’s too late for me to be
high-tailing it all over creation in service of a pipe dream.
I really was beginning to wonder if I would audition again.
Part of my delay/hesitance recently, is that I knew I was in
a production that was taking all my time & memorization space. Part of it is that I
know I’m going out of town in April, and didn’t want to audition for anything
new when I’ll be gone. (Cuz, it seems to me that working actors can’t
really take vacation…)
And, part of it was/is just plain exhaustion and feeling
grueled instead of fueled.
But, I am getting to see that perhaps this is just part of the
process. Part of that “put in the hard work to enjoy the results” thing that I’m so
loathe to do most of the time. HARD
work? Meh.
But, perhaps that’s what’s required here, to get the feeling
I had last night. Sure, I fucked up some lines, but people didn’t seem to
notice. I still got to feel the sense of “right place.” In the chair, on
the stage, in front of lights so bright you can only make out shapes in the
audience; hearing the sound cues, the mounting tension of my scene, the
mounting tension I bring to my scene.
Getting to be there, getting to sit in that chair and show you what I’ve got –
It was… well, enlivening.
There’s a phrase I’ve heard to name those times when you
are so engaged that you feel out of time, out of the chaos of place, when you are so in something that
“time just flies,” – it’s called being “in the flow.” When you are so engaged
in what you are doing, when you are so enjoying what you are doing that you are somehow matching the heartpace of the Universe. When for moments or even hours, you just feel in it – your speed
aligns with the speed of life, and you flow, you coast, you glide.
In it. To be IN IT. In life.
There was a moment, too, as I sat in the dark audience
awaiting my scene that I remembered something I sometimes do: I survived cancer to be here, and I am HERE. Staking a claim. Making a name. Claiming my own.
The gratitude I felt to get to be in that PUMP YOU UP circle before the show: All chaos, time
pressure, toll bridges are lost – and I’m just there. 

acting · adulthood · calm · connection · excitement · health · performance · theater

Wow. Wowie Wow Wow

Normal
0
0
1
544
3102
25
6
3809
11.1287

0

0
0

(Christopher Walken on SNL; check it out if you don’t
know; too funny)


You know when they (I) say “Both/And”? That life is both
this, and that. It is inimitable and gripping, and sallow and challenging? That
life is “everything all at once”?
That you are both excited for your new callback and getting
dressed to get a possible melanoma removed?
Yeah. Both/And.
So, that’s happening right now. In a little while.
I went to the dermatologist about a month ago to get a
strange new mole checked out on my back. She told me that that one was nothing
to worry about; that, in fact, it’s the kind of mole you only see on fully adult
homosapiens. So, I asked, then basically, this new mole is a Rite of Passage
Mole? That I’m officially an adult human, now? Wow. Weird to have your skin
tell you it!
You, Molly Louise, you are now officially an
adult. Instead of a parade, statue, medal, or email from the Universe, you get
this nifty little mole on your back. Holler!!! Luckily, I think it’s kind of
awesome and funny, and I’m really not concerned about the aesthetics of it –
it’s not gross or repulsive or anything. It doesn’t have a satellite moon
orbiting it or have a hair growing from it. – although the Derm said that a
hair is usually a good sign that a mole is not malignant.
(It’s this an awesome
blog topic!)
“BUT,” she said. …
“This other one…” and took out the little 6-inch ruler she
kept in her white lab coat. “Well, this other one, …”
Yeah, that one’s kind of new too, in the last year for sure,
I told her.
So, today I have it taken out. Which means, they have to dig
all the way through ALL of the layers of skin into the fatty flesh below, and
take out, like a dowel in the earth, a cylinder of my skin. Yum.
It’s a small thing, it’ll only leave a centimeter of a scar,
but for a few days, until the stitched, sewn-together skin around it heals and
seals together (our bodies are amazing), no heavy lifting or working out the same way.
Meh. C’est la vie. Small price to pay for solace of mind.
Although, when I told someone when I found this out
those few weeks ago, that it was a possible skin cancer thing, they said, oh,
no big deal, that’s simple, they gauge it out. Done. … Well, I felt like that was a tad insensitive. I mean, this was coming from another young
cancer survivor!
I’m not “worrying twice,” and it is something you just take
out (I think – I don’t know – I’m not Googling anything until the doc indicates
I ought to). But, it’s still a (what’s “less than worrying”) – Ah, concerning, it’s still a concerning thing. So, I’m concerned.
So I get it checked out.
I think my Rite-of-Passage Mole might be on to something.
And, further in the Wow category, this acting
thing. Wowie wow wow, man.
It’s so fun. Sure, I talk about the isolation it offers when
you’re practicing lines alone, auditioning alone, but, the camaraderie that it
leads to, is the point. The opportunity to turn the light on in an audience, to
share something with someone else, is the point. And this is the path to that.
I’m stoked.
I have no clue if this is beginner’s luck, if anything more
will happen, if I’ll circle around the drain of “aspiring actor” for years.
But, SO WHAT.
When I think back to what it felt like on Saturday to join into the
lobby of a group of folks, stand around awkwardly in a room with
other aspirers, to have my name called, and to walk down the dark aisle of the
near-empty theater. To stand on a real stage under real lights, state my name and my piece, and
perform it. To have the director say, “Very nice. Thank you.” To then walk back
up that aisle less than two minutes later, and gather my purse and walk back
out into the amazing Berkeley Spring day?
Well, I’ll tell you:
Wow. 

commitment · discovery · fear · performance · theater

Give me some wool, and I’ll spin you a yarn.

Normal
0
0
1
406
2318
19
4
2846
11.1287

0

0
0

I have another audition tomorrow, this one for the role of a
mother in her early 40s. And I’ve been thinking about who I can believably “play,” what my
“place of life” would be as a woman in her early 30s? I feel too young to be
the queen, to be the mother of adult children, but I feel too old to be the
ingénue or the lover. But I suppose I fall more easily castable into the latter
category. Lover, Romantic, Unwed.
So many actors have sordid pasts and upbringings, making it
easy and understandable to want to lay on the skin of someone else, the idea
that it’s easier (safer?) to be someone else than it is to be yourself. However, I think
I’m realizing that to take on the skin of someone else means that I have to
find that person within me, those feelings, and then face them, understand and
inhabit them. And not all of those feeling are easy for me to have. Not all of
those parts are natural for me to play.
And I think that’s why I love it and am challenged by this
so much. (With all my scant experience!) I will have to find the romantic within me, the tyrant within
me, the tortured within me. I’m going to have to let my internal flashlight
illuminate corners I’d rather mark off-limits. Some of those corners I avoid
because I’m afraid I’ll enjoy them too much—Who doesn’t want to dissolve into
rage instead of pulling yourself up to decency? Who doesn’t want to allow the
gnawing chatter to become a cacophony and play itself into Ophelia’s mad death?
How easy it is to go mad; how very hard to stay sane.
And, surely, some of the corners of experience I may be
asked to play, I don’t want to go into because I’ve spent so many years
avoiding what they demand of me. To fully feel passion, desire, or even (don’t
say it!) love?
It’s amusing to me that once I changed up my blog settings
to list the subject tags in order of frequency, “love” became the first one. I
think it makes sense if you put before it the words: “avoidance of,”
“challenges with,” “attempts at,” “softening to,” “fear of.” But, just “love?”
Hm. Yes, it makes me smile.
I also know that acting isn’t therapy, and can’t be primarily intended to process my own demons or fears through its use, but I can’t help
but imagine there will be some side-effects like that. I imagine that I’ll get
to see where my flashlight is happy to go, and where it isn’t. Where I’m
naturally at ease, and where I’ll have to cull my acting chops.
But, isn’t that the thrill of anything new? Isn’t that the
thrill of being alive? Being challenged to feel, do, and be that which you
weren’t able to before, simply by the act of showing up with intention?
I have no idea how long or wide this acting path will be for
me. But the caves it is already calling me to explore are worth the
price of admission. 

direction · family · performance · perseverance · theater

Postcards from the Edge (of a Bookshelf)

Normal
0
0
1
518
2955
24
5
3628
11.1287

0

0
0

Two nights ago I picked up a book that’s been on my shelf
since July of last year. I brought it back with me from New Jersey, where I’d
stayed with my brother and attended a good friend’s wedding. My brother was
getting set to move from his (omg LUXURY) apartment (by SF standards) to
Baltimore to live with his long-time girlfriend. (Seriously — a huge one-bedroom for $950. Come ON!, she drooled.)
He was getting rid of nearly everything. And my brother is a
keeper of books.
I didn’t know this about him. We haven’t lived in the same
place since I was … 23 and he was 20, still living in our childhood home. So, for about
ten years I haven’t been able to witness him living on his own, developing his
own habits and patterns, becoming a real self-sufficient adult who buys his own
eggs and toilet paper, and who apparently keeps books.
I am not a keeper of books. I am a library whore. I love
them, escaped to the one in our neighborhood growing up, and mostly, I like to
live light. But, as I’ve settled into my own adult-ness, and one place-ness,
and probably not moving anytime soon-ness, I’ve begun to slowly add to these shelves.
And when Ben was about to throw out (or dear god, I hope
donate!) almost all his books, I scoured his shelves for anything that wouldn’t
weigh down my carry-on bag too much. I took a few “classic” novels,
returned my copy of Catch-22 to myself,
a few books on physics, and two on acting.
One is by Mamet, and is a little too mean for me (not as in
base, but as in incompassionate and didactic). The other is called Auditioning by Joanna Merlin.
My brother had the great experience and success of doing the
plays in high school and in college, and I even flew back once for his star
performance in undergrad (the play of which I cannot recall), to attempt to
make up for the years when I’d been absent from his life. He was a fun actor,
an able one, and I still hope/wish that he takes it up again one day.
Confidentially, (if this place can be called that), acting
was one place for him that his stutter completely disappears, and he is the
confident man I know him to be.
The Auditioning book
hadn’t a crease in its spine. Brand new. And Ben gladly passed it on to me.
I began reading it again because in class at Berkeley Rep on
Monday, I opened the notebook I’d brought, which I use for theater stuff, apparently.
In the notebook were some handwritten notes and quotes from Merlin’s book. I
must have written them down when I was reading the book last summer, and then
promptly put it back on the shelf.
The quotes were revelations, the extending of a hand down
into the dark world of trying and hoping and trying some more in the
course-less world of theater. I took the book back off the shelf the other
night, and haven’t been able to put it down since.
There’s practical information about what happens at an audition,
compassionate anecdotes about sitting in the waiting room for one, and tips and
exercises for how to explore a scene or monologue. It’s a great book. I’m
devouring it. And I know I’m at a place where it’s relevant now, where it
wasn’t when I began it a year ago.
I have a frame of reference now; I have a better
understanding of the challenges I’m putting in front of myself, and the ones
that are inherent to the process.
If my best friend hadn’t gotten married, if I hadn’t had the funds to go, if I hadn’t stayed
with my brother, if he hadn’t been discharging all his books, if I hadn’t taken
this class at Berkeley Rep, if I hadn’t picked up this very notebook, I
wouldn’t have gotten this gift.
This tome is a welcome hug and nudge on a path I’ve never
walked before – but someone else has. 

encouragement · joy · life · theater

Reading Tea Leaves

Normal
0
0
1
549
3132
26
6
3846
11.1287

0

0
0

“If one advances confidently in the
direction of his dreams, and endeavors to live the life which he has imagined, he
will meet with a success unexpected in common hours. He will put some things
behind, will pass an invisible boundary; new, universal, and more liberal laws
will begin to establish themselves around and within him; or the old laws be
expanded, and interpreted in his favor in a more liberal sense, and he will
live with the license of a higher order of beings. In proportion as he
simplifies his life, the laws of the universe will appear less complex, and
solitude will not be solitude, nor poverty poverty, nor weakness weakness.
If you have built castles in the
air, your work need not be lost; that is where they should be. Now put the
foundations under them.”
~ Henry David Thoreau
This passage is torn off the side of a Celestial Seasonings
box of tea. They used to have a ton of quotes and passages, but in the last 10
years or so, changed their packaging.
In fact, I wrote to them once, when I noticed that the once-inspirational packaging was gone, to state my preference for the old, and also
to make a case for the flavor Cranberry Cove, which had dropped out of
production. I even searched Amazon and eBay for boxes people might have hoarded.
Growing up, I only drank Cranberry Cove tea when I was home
sick. I would hold a mug bigger than my hands under my face, inhaling the steam
and scent. My mom would stir in some honey, and it was comfort incarnate. When
I went home to NJ to pack up my childhood home in 2011 when my dad was selling
the house, I scoured the tea cabinet for any straggling remains of the boxes that had likely been there since the 90s. I found a much-bedraggled box about a third full, and
brought it back to Oakland with me. I have 3 bags left now, and I only drink that
tea under special circumstances, when I need my version of ultimate comfort.
I have in my kitchen cabinet a collection of passages torn
off tea boxes, and a few fortune cookie messages. I found them again about a
month or more ago, and going through them, I found the Thoreau one.
This was about the time that I was making my decision to
focus entirely on acting and theater as my artistic and impassioned outlet (and
source). I pinned the cardboard quote to my fridge with the San Antonio magnet
I bought in 2010 when I attended a conference, and in fact, performed in a play
with my friends.
I have a very specific style of the magnets I buy from
airports. They’re these 3-dimensional, near-cartoonish representations of the
city where I am. I don’t know why, but I love these best. There’s Singapore
pinning up my “time plan” for the week. There’s New Orleans, pinning up a page
from a magazine, a photo of a home with the word “yes” dotted all around it,
on everything in sight. YES. There’s Sydney, holding up a small note to myself
about how I want to manifest my gifts in the world, probably as a result of
some “What Color is your Parachute” exercise: create, organize, implement, get
messy, entice/encourage/invite.
There’s Maui and New York, and a magnet made of petrified
wood that I bought at the Petrified Forest in Arizona while driving/moving
cross-country in 2006.
Finally, there’s a magnet of the Serenity Prayer, and one
with a Hebrew prayer that was a gift, and I don’t know what it means, but it’s
pretty, and “spiritual.”
Under that magnet are cut-out words from the back of an
Ashby Stage program: “Oh my dear; Who’s ever ready?”
Who is ever ready to endeavor in the direction of their
dreams? Who is ever sure and confident that now is the time to begin? There is
no starting pistol or cosmic alarm signal to tell me, Yes, Molly, Now is the time.
There are only these small messages, these scraps of
encouragement and camaraderie culled from the pages of life.

aspiration · authenticity · theater · vulnerability · writing

"With Great Power Comes Great Responsibility." ~ Stan Lee or Voltaire?

Normal
0
0
1
368
2102
17
4
2581
11.1287

0

0
0

I recently had this text exchange with a friend of mine:
You know, whenever you in particular “like” something I’ve
written, it makes me think that I have something worthy to say and a good way
of saying it. – This scares the crap out of me. – Knock it off.
“Both those things are true! And isn’t that kind of fear
thrilling?”
*thrilling*
I hoped the sarcasm carried through text.
Last night, I spoke to a group of gathered women, sharing
with them my experience, strength, and hope for a little while.
Afterward, the feedback included sentiments like, “That was
beautiful, eloquent, articulate. It was like a short story. You speak like a
writer. That was like a TED Talk.”
Little do they, or you, know, that a tiny little shoot of a
dream tucked inside my ambitious heart is to be a TED talk person – on what, ver vaist, but I suppose that’s not my business yet.
This Sunday, I’m scheduled to attend a small writer’s group
that’s just beginning, friends and friends of friends. It’s supposed to be supportive,
just evoking some words onto a page, doesn’t have to be Faulkner. But one
suggestion is to bring some writing we’re working on.
And, my brain says, I don’t write.
Here’s what I say when people ask me if I’m writing: Well, I
do this blog, but other than that, I’m focusing on theater right now.
I don’t really write.
I know this blog is something. And I know that it’s worthy
of being written for me and for those of you that enjoy it. I (sometimes) know it’s not a
“brush-away” thing, but it’s private, still, sort of. It’s not a public venue,
really; it’s not something to read at a writer’s circle, or submit to a
magazine or journal. And I feel really unclear about what kind of venue this, my, kind of writing belongs in.
I do also know that I am focusing on theater right now. To
use the metaphor again of my internal round table (well, it’s rectangular, but
you catch my drift), all of them/us want to act right now, and only
half-heartedly do they/we want to write, in a professional capacity.
I know one of the detractors is fear. And that’s alright, I
don’t have to tackle all my demons or desires at once.
A friend once told me this: The only difference between fear
and excitement is breathing.
That kind of fear, the fear that I might have something
worthwhile to say and share and give. Something people want to read and be
touched and changed by. Something that gets underneath the armor of separation,
and helps us all to feel a little more vulnerable, aware, to smile & laugh & relate. Yeah, the
fear of that kind of power, and responsibility, is pretty big.
So, I guess I’ll just keep breathing. 

aspiration · dreams · faith · perseverance · theater · trying

Voice of Dreams Past

Normal
0
0
1
564
3215
26
6
3948
11.1287

0

0
0

When I left South Korea in February 2004, my neighbor and
Canadian co-worker gave me a journal as a parting gift. I didn’t realize til
later on the plane back to America that he’d written inside, “Good Luck on
Broadway.”
I just searched my blog to see if I’d written about this
segment of my life earlier, and I have, but it’s worth revisiting today.
When I left my ESL teaching post in Korea, my first “real”
job post-undergrad, I had the idea I would come back to the States and “break
onto Broadway,” that I would work my way through the underworld of New York,
the clichéd waitress by day, actor by night.
As I was applying for jobs, I went to get my nails
done—because surely that’s a priority to someone looking for food service
work…? I was in the salon, and began to chat with the woman next to me. I
told her about where I’d been, where I thought I’d be going, and she said
something that infiltrated. To paraphrase: You know you have to start in
community theater, right? It takes years to do anything worthy of note. You don’t just
start at the top.
Her words, combined with a moment of clarity about my
ability to cope with life on life’s terms, led me to abandon my dream, drive
west, and set up a new life in California. You can read about that story here.
But.
Last night, I went to my first rehearsal for the new play
I’m in. It’s a staged mock-trial about the Rape of Nanking by the Japanese
during World War II. It’s not a Sam Shepard, or Shakespeare, or Kushner. It’s
not something I’ll actually advertise to my friends to come see, because I
believe there will be more plays, with better scripts and an actual plot that I
will want to encourage you to see me in. But, it’s a start. And, as I wrote
earlier, I’m happy to be in your bad plays. And really, I am.
But, this thing happened while I was waiting for my table-reading rehearsal to begin: I heard voices.
Specifically, I heard a woman, probably a young woman, as
the rehearsals are at SF State, singing operatically, and there was a chorus
behind her. When I heard it, I stopped short, and followed the sound.
I stood on one side of a wall, the theater on the other. It must have been the scenery shop,
with spray-painted borders on the walls and floors, immense pieces of mirror
and wood. The sort of haphazard array of items you think of in any work-shop. I
stood there, and I listened to them sing. To the accompanying pianist, the voice
of the director, telling them something I couldn’t quite hear. She lit up the
whole place, this disembodied voice.
And I remembered that part of this whole thing for me. That
part of the motivation, that part of the dream.
Because, as you may have (or maybe I should have) gathered by now, this theater thing
and this singing thing are related.
I do know enough to know that what that woman in the nail
shop said was correct. That it does take years. But what my 24-year old self
wasn’t able or willing or balanced enough to say was, So what? Yeah, And?
That’s what I’m doing here, lady—I’m beginning.
I could look around the room at the director and my fellow
actors and report that they’re all 10 years younger than me.
I could stand in that hallway listening to the voice of my
own aspiration and wail I should have studied theater in undergrad.
I could comb through my neglected childhood,
and poke a finger into the wound of not being encouraged to pursue my talent
and my dreams.
But, Julia Cameron wrote something very significant to her
naysayers (internal and external) in The Artist’s Way when she began learning to play the piano in her
50s.
“Do you know how old you’ll be by the time you actually get
proficient at this thing?”
Yes, the same age I’d be if I didn’t.
I saw my friend Matt onstage last week. He’s been working in
the theater industry since his 20s, went to school for it. He’s 50 now. He’s not famous. It’s his first SF play. But he’s
working. Always working. And he loves it.
And isn’t that the damned point.